Science and art converge at Hawaii Watercolor Society’s Chemistry of Water at the Honolulu Musuem of Art School Main Gallery. Free lecture.
About this Event
Dr. Celia Smith, PhD of the UH Botany Department shares about HOW and WHY light color and quantity change in the ocean has been a point fascination for her as a scientist. She shares how these features appear to have in part, led to development of different limu over the last 500 million years of plant evolution. This talk will present some examples of how ocean plants adapted to harvest different colors of light and what these features mean for healthy reefs in Hawaii.
If you ever wondered why some limu is green, red or brown, you will find the answer! Bring a photo of limu if you’ve ever wondered about it.
This talk, a part of a Tuesday lunch series hosted by the Hawaii Watercolor Society to complement their Chemistry of Water exhibition seeks to inspire lovers of science and art.
Science and art converge at Hawaii Watercolor Society’s Chemistry of Water at the Honolulu Musuem of Art School Main Gallery. Free lecture.
About this Event
Julianne Kalksma is an ocean engineering graduate student at the University of Hawaii with aspirations of protecting our coastal environment through science and storytelling.
She will present ” Exploring Estuaries” where we can better understand the environmental and cultural importance of our diverse and dynamic ecosystems, while growing an appreciation for the landscape that many times colors our canvases.
How we perceive information, and choose to tell ourselves and others stories about them to enhance understanding and connection to our environment are common challenges to both artist and scientist. Enjoy the exhibition of Hawaii Watercolor Society’s Open Juried Exhibition when you come to listen to Julianne’s presentation.
This talk, a part of a lecture series hosted by the Hawaii Watercolor Society to complement their Chemistry of Water exhibition which seeks to inspire lovers of science and art.
Free lecture at Honolulu Musuem of Art School Main Gallery.
Ocean color is a scientific term that refers to the color reflected by light down upon and through the ocean floor and reflects back up and can be captured and shown in imaging technology called spectrum imaging. These satelite photos from space are real time, actual recordings at a high level of detail and beauty showing natural and man made activity–such as ocean current and temperature, coral and algae blooms, chemical spills, and even the wakes of large ships passing through ocean current.
Summer is over and everyone in Wahi Pana has been very busy! I’ve seen some of the beautiful artwork in other shows around the island, and our Wahi Pana artists have been busy in their communities. It is heartwarming to see the art spread out there.
Wahi Pana will continue as a blog and email newsletter. This channel will share mo’olelo about those of us who love art, who want to connect to wahi pana through shared stories.
Chemistry of Water, Hawaii Watercolor Society’s Open Juried Show features paintings selected by juror Paul Jackson, a nationally acclaimed watercolorist and teacher. The concept was to create a space where art and science meet in the same space. To spark dialogue between creatives and scientists about color and water. The exhibit is open through November 22. There are four lectures free to the public by scientists leading in their fields held in the gallery. For more information visit eventbrite.
Ho’omaika’i ‘ana! Congratulations goes out to two participating artists who won special recognition for their submissions to Wahi Pana: A Sense of Place. The Spirit of Wahi Pana Award was given to Jimmy Tablante for his watercolor from Poka’i Bay ‘The Beautiful Day’and the AHA President’s Award was given toBarbara Sumida for her oil also from Poka’i Bay ‘Ku’ilioloa Heiau.
The Spirit of Wahi Pana Award was selected by Marlene Siu, HoMAS Gallery Manager after consultation by the two Hawaiian Kumu “Uncle Joe” Recca of Waikiki and Kumu Glen Kila of Marae Ha’a Koa. The criteria for selection was how well the artist appeared to have incorporated the following four criteria into their piece:
Authenticity. This spoke to whether or not the artist appeared to have made a connection to the mo’olelo (story) and the ‘aina (land) of their selected wahi pana they responded to. This was judged upon their written reflection as well as the imagery and mood they evoked. The kumu and Ms. Siu evaluated these.
Intellectual Content. This spoke to how well the artist seemed to understand and then interpret through their own personal perspective the mo’olelo they received. Creative use of this knowledge, accuracy of mo’olelo or the location, merging of the artist’s personal experience with the mo’olelo shared by the kumu. The kumu and Ms. Siu evaluated these.
Technical skill. This spoke to how well the chosen media and method was incorporated by the artist. This was evaluated by Ms. Siu and consultation with the HoMA Curatorial staff.
Integration of the whole. This spoke to how well the chosen media, method, content and sense of place was evoked by the artwork. Was oil the right choice? Was the stylistic choices or composition especially enhancing of the integration of the whole? This was evaluated by Kumu and Ms. Siu.
AHA President Kimberly Howsley shared: “On behalf of Kumu Recca and Kumu Kila, along with Marlene Siu, I would like to share about how & why Jimi Tablante’s painting, A Beautiful Day was chosen for the Spirit of Wahi Pana Award of a $250 gift certificate generously donated by Chromaco Fine Art Printing in Iwalei.”
Howsley continues: “A decision was very challenging as there were so many great pieces. After much thought, Marlene paced the gallery for quite a while before coming to a conclusion. Marlene shared with me that Jimmy’s “A Beautiful Day” was created with great skill and also captures the sense of Wahi Pana. In seeing his painting, it brought to Kumu Glen’s mind the mo’olelo that he shared about his grandmother feeding the sharks near the Heiau. Jimi’s piece captured the intent of the exhibition connecting the mo’olelo to the work.” Howsley adds:
“Marlene also shared that it was wonderful to see how engaged Jimmy has been throughout the entire process. She stated that he seems to have gained a lot from the experience and has been able to communicate that in his work.”
Curator and Co-Chair Dawn Yoshimura’s statement about the awards process: “I did not select the awards. The jurying was done with no names, just the images online with the accompanying text. The kumu and Ms Siu had the advantage of being local and understanding Hawaiian values but not knowing the AHA membership well so I believe it was a great panel to give feedback on the show, not only to select the award winner but to validate all of the artists’ efforts.”
Howsley had this to say about the AHA President’s Award: “Not only am I honored to have been elected president of the Association of Hawaii Artists, but I had the distinct honor of being asked to present a President’s Award for the artwork that I felt most exemplifies the mana AND Wahi Pana of all of the works of art.” She continues:
“This was not an easy choice for me as I know that every piece of art in that gallery was created with the mana and the love from each of the artists! The painting I have chosen for the President’s Award which includes a $250 gift certificate generously donated by Chromaco Fine Art Printing in Iwalei and a one year, honorary membership to The Association of Hawaii Artists is Kū’īlioloa Heiau by Barbara Sumida.”
The exhibition Wahi Pana: A Sense of Place is on view until Friday July 5 2019 at the Main Gallery in the Honolulu Museum Art School Tuesdays through Sundays 10-4:30pm.